任思远在舞剧《双下山》中的舞美设计

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新闻/任思远在舞剧《双下山》中的舞美设计

学术前沿

11.09.2015

任思远

《双下山》舞美设计

《双下山》舞美阐述

舞剧《双下山》是导演赵梁参加上海国际艺术节的委约作品，出自戏曲《双下山》和《思凡》的结合，导演用其独特的身体语汇挖掘了其中独特的“禅意”。虽然最后整体呈现不算复杂，但为了创作的严谨和审美的讲究，前期酝酿和创作也多有反复。

因了解导演前两部作品的整体风格，设计师把此戏的气质定义为清冷、寡淡、古怪，不追求大视觉，东西也不在多，但要“奇”。

初期导演思路里希望出现几个具体的形象：“太湖石”、“枯木”、“正反用的古镜”、“宝塔”。设计“古镜”时，查阅了大量资料，没有边缘装饰的古镜，装饰纹样都是在背面体现，手镜也没有合适的，故在设计上就汲取了一些古典纹样，臆造出了一面可“正反用的古镜”。

这个“大道具”解决以后，就该处理主体物的造型了，按照尽量和表演发生关系这个原则，把起初枯木和太湖石分离的想法放弃，改为以一物为主体强化表演，另一个原因也是因为起初的太湖石组合体量太小，组合冲击力不够，不能很好的突出“怪”这个字。

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