黄永玉《贵妇还乡》人物_中国舞台美术学会

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舞美作品赏析/黄永玉《贵妇还乡》人物

04.20.2016

4月15日，蓝天野、刘小蓉导演，陈小艺、濮存昕主演的重排版《贵妇还乡》再次在首都剧场与观众见面。这部1982年曾在首都剧场上演的迪伦马特作品对于导演蓝天野而言有着重要的意义——在这部戏上演的背后，还有着一段他与著名画家黄永玉的轶事。

▲画家黄永玉

该剧的译者叶廷芳曾在文章中描述：“天野先生以其深厚的艺术素养和灵敏的审美嗅觉，早在“文革”期间，当《贵妇还乡》（一译《老妇还乡》）和其他一批西方现代派文学作品以“供内部参考”的名义面世的时候，他就发现了这出戏高超的艺术价值，并与他的老朋友、著名画家黄永玉私议：一旦条件允许，就把它搬上舞台。”（摘自叶廷芳《<贵妇还乡>－迪伦马特》,刊载于《北京人艺》2015年第2期）
事实上，当时黄永玉还提出了“如果你排这个戏，我就来做美术设计”，而当《贵妇还乡》在三十余年前演出时，黄永玉也为人物的造型作出了极大的贡献。于是，现在我们在舞台上看到的人物形象便与这位画家有了千丝万缕的联系。
在《贵妇还乡》的排练厅，还挂有当年黄永玉手绘的人物形象，聊以为演员提供一些有益的参考。在本剧本轮演出之前，我们将这批画作悉数刊出，以飨广大热情观众。